The next thing we get is Nasser’s flashback that tests the patience. Every character seems to have a story of their own, and even though it’s not shown in length, the short parts are enough to derail the proceedings from time to time.Īn example here would be the press meet scene of hero post the riots where he gets the public mandate. The biggest issue which bogs down the narrative is the various subplots. It lacks cohesive energy and is all over the place. The narrative style is the same with similar problems exhibited here as well. If one has seen the previous films of Anand Shankar, one can easily make out how NOTA is going to head. The performance, as a result, gets shortchanged and lacks impact. The way the dynamic changes between the opposition leader and others, the CM role never builds to give a satisfactory high. The press meet scene during the riots followed by dance number, the flood sequence intercut with black money handling. The aggressive in parts role looks passive in the end or more like a passive observer. The inconsistent graph makes one get a disconnect with the portrayal.
However, unlike those films, the character here lacks the proper elevation and flow. It is more like the Oke Okkadu and Leader terrain. The role is built in a different sort of way that the usual heroic style we are used to in Telugu cinema. However, the character graph of the Chief Minister here is different. That would be how it is if we only look at the performance from the lens of a Chief Minister. What happens when a reluctant none interested Varun takes over as CM is what the film is all about?įor an actor who is playing the character of a Chief Minister, Vijay Deverakonda misses the attitude and gravitas required for the part. Vasudev (Nasser) appoints his son Varun (Vijay Deverakonda) as interim Chief Minister as he has a case to deal.
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